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A |     Released in 1990, Anjali is often labelled a “children’s film” or “family drama.” While not inaccurate, those descriptors do little justice to its scope. At its heart, Anjali is an unflinching exploration of how a family fractures and reforms in the presence of the ‘other’. That ‘other’ is Anjali, a young girl with multiple neurodevelopmental conditions, abandoned at birth by a father (Raghuvaran) too afraid to allow grief and hope to co-exist. This isn’t merely a story of acceptance. It is one of confrontation, of guilt, of tenderness, of societal callousness. The child becomes a mirror, and every character from her mother (Revathi, sublime even in silence) to her bewildered siblings is forced to reckon with what they see in their reflections.          Beyond the Noise: Anjali as a Radical Experiment in Empathy In the landscape of Tamil cinema in the 1980s and early ’90s, defined by moral binaries and external antagonists, Ratnam’s Anjali was a narrative insurgency. There are no villains here. The real struggle resides within the confines of the home, and in our collective discomfort with difference. The film dares to ask difficult questions: What does it mean to be normal? Who gets to decide? And can love alone mend the gaping wound of fear?           Language of Loss: Visual Poetry and Sonic CompassionSantosh Sivan’s cinematography conjures a visual poem—Anjali glimpsed through half-closed doors, framed in fractured mirrors, or bathed in gentle light. Her presence is not marginalised, but mythologised. She isn’t just a character; she is a quiet force that reshapes the emotional architecture of everyone around her.Ilaiyaraaja’s music doesn’t accompany the film, it animates it. A lullaby becomes a leitmotif of endangered innocence. His string arrangements, especially the plaintive violins and cellos, turn emotional undertow into orchestral language. Without his score, Anjali would still speak, but not sing.And then there is Shamili. Her performance is startling not for its polish, but its truth. There’s nothing rehearsed about it. Mani Ratnam, ever the alchemist of performance, finds in her something raw and instinctual; less acting, more inhabiting.           The Social Politics of Tenderness In hindsight, Anjali might be Ratnam’s most political film; not through slogans or speeches, but through its unwavering gaze at how society fails its most fragile members. The apartment complex, with its manicured lawns and modern facades, reveals itself as emotionally atrophied, until Anjali unearths something resembling humanity. There is no appeal to sentimentality. Instead, Ratnam urges us to sit in discomfort. And in doing so, he crafts a film that listens more than it speaks, a cinematic act of radical empathy in an era of dramatic noise.            A Legacy Too Quiet to Ignore  For all the epic scale of Raavanan or the operatic ambition of Ponniyin Selvan, Anjali remains Ratnam’s boldest creative risk. In a culture that celebrated machismo and mass appeal, he dared to whisper. And perhaps that’s why we don’t talk about it enough. Because Anjali isn’t here to entertain. It’s here to unearth.  And in that stillness, lies its genius.       See Also:Aishwarya Rai Bachchan and Amitabh Bachchan to star in Mani Ratnam’s next?。    今年是第25个记者节。近年来，抚顺广播电视台广大新闻工作者坚持以习近平新时代中国特色社会主义思想为指导，深入学习贯彻党的二十大和二十届三中全会精神，唱响主旋律，汇聚正能量，加强全媒体传播体系建设，不仅把重大主题宣传做得“有意义”“有意思”，更增强了城市形象的亲和力与吸引力。         　　今年以来抚顺广电新闻工作者牢记主流媒体的责任担当，用笔尖、镜头、话筒记录着时代风云、山川秀美、民生百态、是非曲直、人间烟火。聚焦重大主题新闻宣传主线鲜明、主题突出，营造出浓郁的振兴发展氛围。以《浑河两岸》为代表的纪录片、专题片、宣传片、短视频等佳作频出。高清技术改造和融媒平台建设如期完工，突破了技术和装备的壁垒，实现逆势翻盘、弯道超车，阔步迈进省内先进行列。

B | 广电员工“自加砝码”积极开展高质量的专项培训，综合素质大幅提高。

C | 节目供给侧改革不断深化，以抚顺发布客户端为龙头的融媒体矩阵打通了网上网下，联通了大屏小屏。市融媒体中心建设工作积极推进，融媒改革思路更清晰、方案更翔实，以深融、智融为目标的全媒体传播体系建设步伐更加稳健。         　　今年以来全台有18个新闻作品获得省级奖项，其中有5个作品获得省一等奖。新媒体平台不断做大做强“抚顺流量”，截至目前，抚顺广电各新媒体平台以及“抚顺文旅”新媒体账号粉丝量已累计突破50万，有近80个新媒体产品单条浏览量达到了10万+。抚顺广电开展的与文体旅产业相关的网络直播活动50多场，直播团队不断成长，直播经验不断精进。

D | 截至10月中旬，由抚顺广电组织的网络直播活动总浏览量已突破1000万。         　　当下，随着传播渠道与传播形式多样化，人人都有手机、人人都是信息传播者。身处变革的时代，抚顺广电新闻工作者始终坚守初心，以事实为准绳呈现客观平实报道，以更加专业的素养和敏锐的洞察，凝聚更加广泛的社会共识。在“内容为王”“移动优先”的引领下敢于求变、勇于求新，通过技术赋能不断拓展新闻报道边界，不断掌握新知识、熟悉新领域、开拓新视野，绘就更多网上网下的“同心圆”。         　　坚守初心、保持热爱，努力做好伟大时代的记录者。

E | 新时代，抚顺广电广大新闻工作者将深入学习贯彻习近平文化思想，扎实完成市委各项工作部署。

F | 不断增强脚力、眼力、脑力、笔力，与人民同行、与时代同行，忠实记录时代潮头涌起的一朵朵浪花，满怀热忱展现伟大人民的不懈奋斗，生动展示新时代中国昂扬向上的精神风貌，充满激情，奔赴下一场山海！                     责任编辑：李丹。

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Published on:08:09:54